Everyone likes a good tyrannosaur. But, a black, time travelling seemingly indestructible dinosaur facing off against some of your favourite 2000ad characters is awesome. Luke takes a look at Satanus and family
Luke begins to think he has bitten off more than he chew, but with resolve (or sheer pig headedness) perseveres for part 3. (Over the hump and all that). He finds another shift in tone but a lot to love, even if some of it takes some getting used to……..
By Luke Williams
Return of Brother Kevin : Johnny Deadstock splits opinion : Too much Torque, but lots of action : Purity & Tomas sitting in a tree : No one expects the Spanish Inquisition : Loving the Alien : Pat reaches for the sledgehammer
We left Nemesis haring down the Time Wastes in pursuit of Thoth. Thoth was hopping in and out of the timeline eliminating specific figures from human history.
Clearly sick of being panel dressing in “Nemesis”, the ABC Warriors shoot off to their own series, clean up the mess (not The Mess – he’s still on Mars) that the little scamp Thoth has wrought (“see “The Black Hole Mission” and summed up shabbily here).
Torquemada on the other hand, heads back to Termight to reclaim his throne, reinforce his rule and re-establish his dynasty. The little interlude is illustrated by art god Kevin O’Neill. Brother Kev’s art had developed, but was still recognisably O’Neill.
Torquemada the God (Book 6.5)
If such things matter to you, it is here that the Titan editions start falling back into sync’ with the prog’ numbering. This book is “6” in Titan numbering and collects this short (but glorious) return by Kevin O’Neill alongside the Torquemada “Diceman” gaming book strip drawn by Bryan Talbot. A short, but rambling article on this can be found here.
At the 1986 Eagle awards, Torquemada was voted best villain, this says a lot. Deny it, he’s the star of the series isn’t he? Gleefully evil, you love to hate him, he’s not a poe faced, supercilious evil like his opponent ( I’m getting ahead of myself), but you want to see what he does next, to see how far he will go. In the introduction to ‘Phone Book 2, Mills himself said that Nemesis was enigmatic, unknowable and well….. alien. Torquemada started stealing the show quite early on, villains can be the the most interesting of characters. Sith or Jedi? Who is cooler?
Starting in Prog 520 (the ten year anniversary prog’ – but lets not argue about the accuracy of that statement) Torque’ returns to glory, adulation etc, and not surprisingly this goes to his head. Torquemada becomes convinced of his own divinity the “Torquemada the God” of the title and takes the opportunity to resolve some staffing and family problems. Mazarin had already been despatched, Krassan and Broder Kruger are subjected to a rather wretched fate.
Nostradamus is committed, and Candida….
Well, it’s all been a bit much for Candida. Over the last 2 books, she has lost her husband only to see him “resurrected”, her children have been killed by her husband’s greatest enemy, she’s been pawed by her brother in law, and sought peace at the end of the world, but been denied.
Tomas, ever the pragmatist, knows he needs an heir. He needs a divorce, a re-marriage and offspring. Stat.
He finds a suitable candidate in Sister Sturn, his biggest fan. The downside is that she is married. But Torque, never sees problems, only solutions (final ones). Brother Sturn is sent on a quest and is soon no longer a problem.
Divorcing Candida on grounds of insantity, “SS” and Torque marry, and she bears him a son, Attila. However, Sturn herself is not the most stable of characters (who knew?), she sees deviants everywhere. Paranoid and violent, she is under watch from the Terminators to ensure that no harm comes to Torquemada’s heir.
However, Tomas is distracted by illness.
Turns out, it’s all down to Thoth meddling with the time line. The young warlock is killing Torquemada’s previous incarnations and consequently destablising this current incarnation. Torquemada will experience much pain and discomfort, but finally that will be the end of TT.
Brother Mikron hypnotises the Grand Master, sending his consciousness back in time to trace his incarnations through human history, with some unsurprising results :
Mikron finds that The Grand Master can be traced to the first Torquemada, “star” of the Spanish Inquisition. Which leads us nicely onto the next chapter in the series.
Book 7 : The Two Torquemadas
With a new artist, John Hicklenton delineating their deadly duel, our protagnonists head to 15th Century Spain. The Spanish Inquisition is in full swing, Torquemada mk1 running the show. Torque Mk2 wants to meet up with his ancestor / previous incarnation to end this attack on him and meet his inspiration.. Nemesis sees Torque Mk1 as a means of bringing Thoth out into the open. Thoth, on the other hand just wants to cause more mayhem.
T2 introduces himself to T1. T1 obviously thinks that T2 is madder than a sackful of arseholes and to “cleanse” him (where have we heard that before), he puts him to torture.
Clearly having no idea what thousands of years of evil, homicidal prejudice and hate would have on his spirit, T1 grossly underestimates the resistance of T2, and falls under his influence.
Meanwhile, Thoth has been one step ahead of Nemesis and Purity, but Nemesis has caught up. Thoth and Satanus had taken some downtime in the Cretaceous, to give Satanus an opportunity to work out some “frustrations” with a lady Tyrannosaur.
Instead of contacting him directly, Nemesis takes sometime to watch him as his father.
But Thoth, was tiring of his crusade.
He leaves Satanus in the Cretaceous, and heads to the 15th century to face T1 on his own, little realising that both his Pa and his target are ahead of him.
Both Nemesis and T2 are using T1 as bait to get to Thoth, but with very different outcomes in mind. Thoth materialises to finish his mission and kill the 15th century Torquemada.
Nemesis temporarily exhausts his powers to trap Thoth, but leaves his son vulnerable to Torquemada’s attack, and with Nemesis unable to use his diabloical powers to stop him, T2 exacts his revenge on the Warlocks.
Torque and Nemesis face off, T1 becomes “collateral damage” in the process. T2 on other other hand is prepared, tooled up in his “anti Nemesis” armour. But in a twist, Nemesis traps him in it and counterattacks in which the Grand Master is powerless to resist.
His Terminators carry him back to the ship, and leave the time zone. Nemesis has the opportunity to mourn the death of his son. He’s mad, and isn’t going to take it anymore. The mortal enemies have hurt each other as much as two beings can.
Their conflict might be moot at the end of the book, Blitzspear and Torquemada’s Auto Da Fe are caught in a massive time wave that engulfs them. It seems that the world is about to end and the ABC Warriors have failed in their mission…..
Book 7 sees another shift in the tone. Mills emphasises Nemesis’s near omnipotence (more of which we will see later) and his seeming omniscience and impotence in seeing but preventing the death of Thoth. My scans are a tad on the bobbins side, but it’s clear to see how much of a departure John Hicklenton’s art was to what had gone before.
With the arrival of Hicklenton, the dark humour becomes pitch black and grotesque, Mills riffs off the art and inspires Hicklenton to new heights (or lows) of depravity. There is no argument that Hicklenton’s is distinctive. But is it any good? Weeeeeeeeeeeeeeeeeeeeeeeellll………………………………
It’s not as easy as that. I remember reading the first episode and being a little shocked and definintely disappointed. I tried to like it, I wanted to like it. But Hicklenton’s art made my skin crawl. Oodles of body horror, grotesque and distorted figure work, hideous facial expressions and lots of bodily fluids and his story telling wasn’t the clearest. But the guy had talent, the hypothetical love child of David Cronenberg and Bill Sienkiewicz made real. Marmite art.
As I’ve got older, I appreciate it more. Re-reading it for this article, Book 7 is a strong entry in the saga, but commissioning Hicklenton for this strip was a brave step. Pat Mills has always shouted from the rooftops of his support for “Johnny Deadstock” (Hicklenton’s pseudonym). Uncle Pat’s attitude (and I’m paraphrasing quite extensively here) is “do you want a Jimi Hendrix artist? or an Ed Sheerhan artist?” Put it like that, it’s hard to argue against.
It takes Nemesis in a different direction from the gothic SF trapping of Bryan Talbot. The strip becomes unsettling and atmospheric, if occasionally a little difficult to follow. Read Hicklenton’s final work : “A Hundred Days”, published just prior to his untimely death, it’s great, but the stuff of nightmares.
Defintely not right for Dredd though.
Book 8 : Purity’s Story
Book 8 picks up exactly from where Book 7 leaves off. The universe hasn’t ended, and the chase continues. David Roach is at the drawing board for this installment, you could not pick a more drastic change in style. .
Torquemada leaves the time wastes with Nemesis in hot pursuit. Purity begins to reflect on how Nemesis is always changing his mind, how they met, and how she got here.
Or, as Mills puts it :
In her younger days Purity spent some time at the “Grand Master’s convenience”. Locked up in an asylum for campaigning against Torquemada’s crusade. Repeated escape attempts and subsequent “treatments” do nothing to dampen her enthusiasm. She is visited by Nemesis, who enlists her, and casts a spell for Torquemada to fall for her. She is released into Torquemada’s care and becomes Credo’s spy.
The arrangement works well for Credo. The resistance strikes a number of blows for the galaxy and amongst Termights. However, to discredit Nemesis, Torquemada hires an imposter to wreak havoc and murder and maim, the “Mimesis”
The Mimesis has the required effect, Nemesis’s name is mud. Meanwhile, Torquemada rumbles Purity’s game and sets the Mimesis after her. Nemesis arrives in the nick of time, and the two aliens fight to the death. Despite clearly being the more powerful, Nemesis has seven bells knocked out of him and bounced around Termight by the imposter.
Just when he is on the ropes, Purity saves him, the Mimesis is killed, and Nemesis and Purity escape to the tubes. There, Nemesis spills the beans.
Being a god of Khaos isn’t all it’s cracked up to be. Omnipotence, cloven hooves and the ability to spit acid doesn’t make you fulfilled (apparently anyway). Turns out he’s bored. He’s not fighting Terra for the greater good. He’s doing this for a bit of a laugh.
He craves the thrill that lesser beings experience. It breaks up the time, and he treats his battle against Terra as a game, liking his attacks to prodding a termite mound to see how the termites react.
Purity is a smidge distraught by this, but Nemesis still has use for her. He blocks her memory of this discussion and her relationship with Torquemada
The arrival on Earth, and the tachyon radiation released these memories, and the revelation is not welcome
But Nemesis can’t let her remember and reinforces the memory blocks.
The pursuit of Torquemada resumes.
After the brief flashback to Purity’s past in Book 5, this fleshes out the origin and nature of the relationship between her and Nemesis. It also seeds plot threads that will blossom in the next two books, following the resolution of the Thoth plotline. It sets up for the climax,which little known to us, was over 10 years away.
After the extreme and disturbing art from John Hicklenton, the arrival of David Roach is jarring, but also acts as a palette cleanser. He always reminded me of Garry Leach with fewer blacks. It’s beautiful work, all clean lines, and an easier, more conventional read but manages to carry over the spirit from the Kev O’Neill and Bryan Talbot years. Roach’s version of Termight was a highly respectable interpretation of what had gone before. I’d be interested to know whether Mills had a say in picking Roach – as they have never worked together since, he’s usually quite vocal about his artistic discoveries.
And I have a page of the art of this book 🙂
Book 9 : Deathbringer
Following on from the retrospection of Book 8, John Hickletnon comes back off the bench as Torquemada and Nemesis face off in contemporary (okay, 1989) Britain.
Despite leaving the time wastes just moments before Nemesis, Torquemada had been in this era for ten years (‘cos you know, time, folks!). This is an earth of disruption, inter dimensional incurisons and instability.
Torquemada has built a power base, beginning as a gang leader, establishing a right wing racist organisation “Oy”, and gains power and influence from a fearful government. Torquemada and his “Reapers” militia are seen as the only thing who can save Britain from the incursions caused by Thoth’s fiddling with the black and white holes.
Purity and Nemesis arrive and split. Purity disturbs a group of Reapers and after a brief struggle is arrested and brought to Torquemada. He reminds her of their “relationship” and informs her that Nemesis has made her his tool and has brainwashed her.
Purity seemingly has an “epiphany” and changes sides
Torquemada also has other irons in the fire. He has found Jennifer, a young woman who bears an uncanny resemblance to Candida, a great distraction. He stalks Jennifer, with a view to taking her back to Termight to be his “Grandmistress”. Jennifer is not too keen on this, but Torquemada finally corners Jennifer in a nightclub
Jennifer agrees, and has seemingly fallen for Torquemada’s charms. They swap spit, but “Jennifer” turns out to be Nemesis in disguise. “Ew”s all round. And it all kicks off.
The battle pauses. Torquemada heads for Jennifer’s apartment, and Nemesis heads to release Purity, unaware he is heading into a trap. Backmailed, Jennifer agrees to travel back to Termight.
Purity escorts Nemesis to an underground station where Torquemada has his means of escape back to Termight. The two foes are wounded and Purity goes to finish them both off, but not before she listens to their arguments to spare their lives
Before she offs them both, Brother Mikron saves them both and allows the two enemies to continue their battle. Mikron sacrifices himself to save his Grandmaster and Torquemada escapes to his own time. Nemesis and Purity also return to their own time, but Purity rejects further help from Nemesis. So ends Book 9.
It was around this time that Pat Mills was developing Third World War in “Crisis” the political 2000ad spin off. The research Mills was undertaking for that cross pollinated into Nemesis and consequently this story feels like a dry run for that other work. The student dialogue, the oppressive totalitarian police state Britain, the bedsit and clubbing environment.
Nemesis always had a political undercurrent, anti fascist and anti racist. But here it is front and centre. Another website (though obviously not a patch on ECBT) has suggested that Mills becomes self indulgent in this period. They have a point. Enjoyable enough, and I enjoyed Death Bringer and The Two Torquemadas far more after so many years than I did in the original progs. Far more happens in each of the first 4 books, than the next 5. The pace slows down and the plot begins to meander, particularly after the departure of Bryan Talbot, the earlier books are far tighter in plot and story development.
Hicklenton’s art is looser and more open and slightly less depraved than his last outing, but in placees no less confusing. Just look at the first few panels where Nemesis and Purity split up and Nemesis “rescuing” Purity from the cells.
By the end of Book 9, Purity and Nemesis are no longer a partnership, both enemies have lost their families in almost their entirety. And Nemesis is not the altruistic freedom fighter that we all thought he was at the start.
And then someone hits the “Pause” button for a few years.
The Complete Nemesis The Warlock
Review by Seth
This third and final volume features the climax of the seemingly endless (and to be honest, getting a bit repetitive now) conflict between Torquemada and Nemesis. Interestingly it probably is the most varied of the 3 volumes, featuring contributions from artists whom offer their own very distinct interpretation of the alien freedom fighter and his universe.
Volume 2 had ended with the remarkable “Two Torquemada’s”, featuring grotesque art by the mercurial John Hicklenton. Torquemada is pursued by Nemesis through the time wastes after escaping from the 15th Century inquisition-era Spain, leaving Torquemada’s namesake and Thoth, Nemesis’ son dead in their wake. The galaxy is still threatened with annihilation thanks to the imminent collision of the white and black holes on either side of Termight, set in motion by Thoth.
Volume 3 begins with “Purity’s Story”, written as ever by Mills and drawn by David Roach. Purity and Nemesis exit the time wastes in pursuit of Torquemada. Leaking time radiation removes a block on Purity’s memory and she begins to recall her early days with the resistance and her first meeting with Nemesis. As much an origin story as setting the direction and establishing important plot points for the strips last lap. It also raises questions over Nemesis’ motivation, the Warlock treating the conflict as a game, which conflicts with some of what precedes it and what follows, though arguably this just proves that Nemesis is a force of Khaos . Art wise, “Purity’s Story” is sandwiched between the Hicklenton books of “Two Torquemada’s” and “Deathbringer”. The difference between the two artistic styles is almost jarring. Hicklenton has the ability to draw things seen in your worst nightmares. His characters, even the heroes and heroines of the story, are grotesque beings with distended bodies and limbs contorted into unlikely shapes and fearful facial expressions (even when they are smiling); the stuff of acid flashbacks. Roach’s art has almost a woodcut look about it, and maintains the spirit of the early O’Neill strips, though the designs are not so outlandish. Beautiful art. I have a page of it on my wall dontcha know.
“Deathbringer” – the penultimate of book of the series, continues directly from “Purity’s Story”. Nemesis has reinforced the spell on Purity to prevent her remembering anything else she shouldn’t. Torquemada has spent 10 years in the modern era, and established himself as the head of a paramilitary group called the “Oy Boys” with a sideline in a nationwide chain of bed and breakfasts. Nemesis’ attempt at blocking Purity’s memory had been unsuccessful and Torquemada and Nemesis battle for her allegiance. The contemporary (ish) setting and the artist give it the feel of a lost book of Mill’s “Third World War”, with Torque’ taking the place of villain Inspector Ryan. Hicklenton’s art feels slightly more reigned in here, but contains some startling images. However, by now the strip had begun to slip into the routine of the climactic battle of all battles between Nemesis and Torquemada, which you knew wouldn’t actually be resolved. The last few Nemesis books had become one overlong chase scene through the time wastes, kind of like a gothic “Road Runner” cartoon. It was time for this to be resolved. But this wasn’t going to happen for another 10 years.
In the lay-off between “Death Bringer” and the final book “The Final Conflict” there were a number of one off or short runs that were used as fillers setting up the final book or just to keep the plot bubbling along and remind readers what these characters were about.
The first of these “The Shape Of Things To Come” drawn by Paul Staples, very definitely falls into the filler category – adding nothing to the ongoing saga. Staples art, though capable, was a significant stylistic change from Hicklenton, moving away from the gothic tone and into a more mainstream vein. Staples is a good artist, though his images tend to be bit static and conventional for a strip that had previously been drawn so distinctively by Hicklenton, Talbot, O’Neill and Redondo. It seemed to be a false start, and the strip was further rested until 1994.
The 3 part series “Hammer of the Warlocks” was to be a prologue to the final book, drawn by a nascent Clint Langley. Torquemada has found the answer to the increasingly savage conflict with Nemesis, the titular Hammer of the Warlocks. Langley’s art has come a long way, here he comes across as a more coherent Simon Harrison, but with equally organic textures, with so much green on some pages it looks like he has painted with algae.
We had to wait another 5 years before Mills with the genius of Henry Flint in tow was to complete the saga. The team brought the series full circle. Torquemada had returned to Termight to take charge again, Purity heading up the now independent human resistance. Nemesis returns to Termight to finish the feud with Torquemada (and seemingly contradicting his earlier statements of the reason for his involvement). Torquemada is overthrown and put on trial, escapes and he and Nemesis square up for the final confrontation, fittingly drawn by Kev O’Neill. Flint reverted to the “sword and sorcery” atmosphere of O’Neill and Redondo, from the science fiction, gothic and steam punk drift of Talbot, Hicklenton and Roach. Slightly anti climatic, perhaps a tad rushed and most definitely overdue, the strip was put to rest and the characters met a fate quite fitting for the tone of the series.
The volume also collects as “bonus” material strips that.
“Warlock and Wizards” from prog 700, acts as a prologue to the “Enigmass Variations” which ran from the first all colour prog : 723. Written by Pat Mills, with co writer Tony Skinner and painted by Carl Critchlow. A tongue in cheek Agatha Christie who dunnit style fantasy strip, it co stars Deadlock from the ABC Warriors. “Bonus material” is an odd term for such utter dreck. Mills and Skinner’s plot and script are hackneyed and clichéd, and in places just plain painful (see Nemesis donning a Sherlock Holmes deerstalker and pipe) and with both leads acting agonizingly out of character. What were they thinking? The strip suffers from the mid 90s painted art syndrome. Critchlow employs muddy, dark colours and his characters weren’t great. He’s definitely gone onto better things.
The final strip in the collection was published in the 1992 Winter Special and is set between “Deathbringer” and the “Hammer Of The Warlocks” and drawn by the great lost Nemesis artist Chris Weston, striking the right balance between the O’Neill and Talbot interpretations. The strip resolves the triangle between Nemesis, Candida and Torquemada and puts paid to some significant characters on the way. Unfortunately, it does end with yet another Torque / Nem’ slugfest, laboured even in 1992. This isn’t bonus material and should have been published in this volume as it fits within the strips’ timeline.
A good package, with some spectacular art from Roach, Weston, Flint, Hicklenton & O’Neill, but by now the strip itself had become tired, and like all good things, it had to end. (And please – not revived).
But let’s all pretend that the “Enigmass Variations” never happened.
The Complete Nemesis the Warlock Volume 2
Review by Seth
“Nemesis The Warlock” is my favourite strip in 2000ad. Ever. The story of an alien fighting the evil human empire of Termight and its leader Grand Master Tomas De Torquemada. Nemesis’ alignment is ambiguous, is he good, is he evil? His motives are shadowy and his actions contradictory.
This volume chronicles mid period Nemesis and contains work form the 3 main artists from the strips run (not denigrating the work of the great David Roach or Jesus Redondo). Torquemada has been dead for 10 years, killed at the hands of his own Terminators. Termight has begun to make peace with the rest of the galaxy. No longer wishing to exterminate all alien races, the new leader of the Empire tries to encourage co- operation and trade. Nemesis himself has all but retired, influenced by Magna his fiancée (?!?!), the warlock who caused the death of his wife Chira and the apparent death of Thoth his son.
Thoth now lives with Sir Hargan, the leader of the Terminators who killed his mother. Seeking revenge, Thoth rescues an old 2000ad favourite from the past; a certain Black Tyrannosaur from the Cursed Earth who had a wee run in with a well known 22nd century lawman. He dubs the deadly, demonic dinosaur “Thing”, kills Sir Hargan and his wife, and kidnaps Torquemada from the past. Thoth brings Torquemada to the present day, where he is executed for impersonating the one true Grand Master, but trapped in a time loop by the young Warlock, he is executed again and again.
This kind of time manipulation and sorcery is detected by Nemesis who senses his son is still alive and rushes to Termight, rescues Torque’ from the time loop to bring Thoth out into the open and to be reunited with him. Thoth has other plans, explaining to Nemesis that he has destabilised the black and white holes on either side of Termight (Earth), which will ultimately destroy the planet and sterilise the universe. Escaping and taking “Thing” with him, Thoth disappears into the time wastes, hunting down and killing Torquemada’s previous incarnations, destabilising the existence of the Grand Master.
Pat Mills is never one for subtlety, but the anti racist subtext of the earlier books becomes far more overt here. Particularly with the introduction of the previous incarnations of Torquemada, the Arch Bigot and Torquemada’s oratory and extends into commentary on capitalism, environmentalism, and politicising subjects very close to Mills’ heart. There are some genuinely hilarious, though equally disturbing moments : the Arch Bigot’s declaration that “frecks are the new deviants” and Torquemada’s rants on the beach at the end of the world. The ABC Warriors say little, which Mills gives an explanation for in the introduction, but I’m just happy looking at Talbot’s renditions of them.
By the start of this volume Bryan Talbot is firmly entrenched as the regular artist on the series. Very different from the mad genius of Kevin O’Neill, but brings his own sensibility to the strip, a radically different style, still in keeping with steampunk feel, though technology seems to have developed quite considerably since the early strips. Not as bizarre or as imaginative as O’Neill, but his renditions of the ABC warriors are sublime, and quite frankly the double page spread of an oversize Tyrannosaur fighting terminator war machines in the Abyss, is a thing of beauty, if someone has these pages please sell them to me (if I can get them past my wife).
Talbot leaves after book 6, and O’Neill returns for a short sequence entitled” Torquemada the God”, wrapping up plots involving the Grand Master’s wife Candida, and setting up plots that will see the strip to its conclusion. This is later period O’Neill, it is gorgeous, manic, depraved and comical. His Ken Reid influences showing through, at least if Ken Reid was on acid, anyway.
As much as the O’Neill to Talbot move was a dramatic stylistic shift, Talbot to the next artist Hicklenton was a revolution and took some getting used to. Hicklenton was clearly nuts, but though I remember at the time thinking that this really didn’t work for me (if I was being polite), now I can see that he is a great “Nemesis” artist, grotesque and disturbing – even if his story telling occasionally lacks clarity.
Also included in the package are reprints of the “Diceman” Nemesis and Torquemada games, which are fun if you have the patience, plus there are some Nemesis photo strips with some decidedly dodgy costumes and make up. Pre Photoshop, this is what “American Reaper” would have looked like. One strip, set in a branch of a well known comic shop, is far too jokey, whereas the other, revolving around Candida, would have been far better served drawn by any of the three other artists in the collection. Finally, there is a Torquemada and Candida strip, sadly reprinted in black and white, the original is glorious O’Neill full colour.
I’m biased, but this is brilliant (even with the dodgy photo stories).
This review is about a week late, not due to the laziness of the writer this time, but because 100 Months is the most difficult thing I’ve ever tried to review.
The book tells the story of Mara, an Earth Goddess intent on bringing about Armageddon. We follow her on her path of vengeance against Longpig, a satanic personification of capitalism and… I don’t really know how to explain it more than that. You see this book is unlike any I have read before. Each page is a full image and has a surreal and vague quality that is almost like a kind of dream or to be more accurate, nightmare. It’s hard to pin it down but, like a dream, while you might struggle to focus on specifics the overall effect has a great impact. And this book, even without knowing the author’s story behind it really does pack a punch.
It’s hard to talk about this book without at least briefly talking about it’s author, John Hicklenton. As you may know, John was diagnosed with MS in 2000 and, with the aid of Dignitas, took his own life in March 2010.
This was his last work, and reading it, knowing HE also knew it would be his final piece really gives extra weight to the messages within the book. The overall feel is that humanity has squandered and abused the gifts the planet has given us… and the planet is pissed. But, maybe with guidance we could be worthy of a second chance.
The messages aside though, the artwork is stunning and you could argue this is primarily an art book more than your traditional graphic novel. Hicklenton has always been a master of the macabre, but the bleak and horrific imagery in this book are absolutely beautiful in their darkness, even for him. It really is a vision of Hell put onto paper and it’s definitely a book you will go back to multiple times to pour over the imagery. The lettering is also very striking, looking deliberate and handwritten, the words matching the images in their anger.
This isn’t a book that will immediately appeal to everyone but those who do venture into it’s bleak landscape will definitely be rewarded for their courage. A true work of disturbingly beautiful art by a man who leaves the world a little less interesting by his passing.
This isnt the kind of book you can rate like normal but I would however urge everyone to check this book out. Within 5 pages you’ll either love it or hate it…. the kind of extreme reaction I’m sure Mr Hicklenton would appreciate.
Posted by Richard McAuliffe
Note : A big thanks to Barry from GeekSyndicate who organised this review copy for me and was good enough to allow me to post it here as well as on his website. Much appreciated sir.
‘To me, Johnny Hicklenton is the Jimi Hendrix of British comics.’- Pat Mills
A CELEBRATION OF THE LIFE AND WORK OF JOHN HICKLENTON 1967-2010
on the publication of his final graphic novel 100 MONTHS with PAT MILLS, CLINT LANGLEY and ADAM LAVIS
Thursday 18 November 7.15 pm Waterstone’s, BRIGHTON
‘I was lucky enough to have Johnny Hicklenton draw my first published story, and I knew from the start that his was a unique and powerful vision. 100 MONTHS is a heartbreaking final vision: one man going head to head with death, and with Death, and with life. I felt lucky to be allowed to read it and fortunate that Johnny made it for us before he left. It lingers and it haunts, and, ultimately, affirms.’ – NEIL GAIMAN
For fans of 2000AD and Judge Dredd, Brighton-based cartoonist Johnny Hicklenton needs no introduction. He was one of Britain’s greatest comic book artists, famous for the brutal, visceral draughtsmanship he brought to his craft. Published on 18 November, 100 MONTHS is Johnny’s final graphic novel, a fantastically dark, apocalyptic fable, warning that we only have only 100 months left to save the planet. Johnny took his own life with the assistance of Dignitas in Switzerland on 19 March 2010 following a heroic ten-year struggle with Primary Progressive Multiple Sclerosis. This event celebrates his life and his uniquely dark and powerful vision, with fellow cartoonists Pat Mills and Clint Langley and Adam Lavis of Animal Monday, director of the film ‘Here’s Johnny’ winner of two Grierson awards for best documentary.
Waterstone’s, 71-74 North Street, BRIGHTON. TICKETS £2 Enquiries tel 0843 290 8181.
100 MONTHS is published by Cutting Edge, hardback £19.99
Press enquiries to: Margot Weale email@example.com
All above courtesty of Alexlouise from the 2000AD forums (Richard McAuliffe)